I wasn’t initially anticipating a high degree of customization from such a straightforward and sparse interface, but I was pleasantly pleased by SEQUIS’s array of practical possibilities.Įach of the four layers has areas for processing sound effects in addition to instrument and articulation assignments, volume, and pan levels. The second page after Edit Mode is where you may change the internal workings of the different tools. I mostly used the Mod Wheel control option because it was a little too random for my tastes. Layers 1 through 4 are activated in order as the number of notes played concurrently increases. Another is to turn off the playback mode loop so that playing ends when the sequence is complete.Īctive layers can also be managed through the mode wheel or note polyphony. One is the option to modify the sequence’s playback speed, which can range from half to twice the DAW’s pace. There are various helpful choices in Perform mode. However, the application is simple to install, and I could start using it in less than ten minutes, which is impressive considering the region has enormous sample sets that may take up to a day to download. SEQUIS samples require roughly 4 Gb of download space when using Native Access from NI. This pattern is fundamentally rhythmic, which translates into whatever note you play to activate it. It strives to make it simple for you to set up and create symphonic sequences by providing an easy interface that allows you to program steps for up to four instruments at once and includes a large variety of samples from various instrumental and vocal groups.Įach Sequis patch combines up to four instruments, each capable of playing a unique pattern. This pattern sequencing is celebrated in Sequis, a Kontakt-hosted instrument created in collaboration between Orchestral Tools and Native Instruments. However, the attractiveness of repeated phrases predates the first pattern sequencing, and it may have been more well-known as a legitimate style of music in the 1960s, thanks to minimalist composers like Steve Reich. Sequences are often imagined as groups of MIDI notes that loop, cycle, and repeat. It’s more common than you may expect for a word or compositional notion to be used in a sequence. "It is dense, and doesn't float, and it has a metallic ring," he said, adding that the bars are carefully shaped, arch-cut and tuned to produce the correct sound.Tools for orchestra from Native Instruments Any contemporary media composer should use Sequis, a sophisticated, organic-sounding sequencer. The wood is the most expensive part of the instrument, which has a five-octave range. Stevens's instruments are made from Honduran rosewood. The tone of a marimba depends very much on the type of wood used for the bars. In 1990 he left Musser and decided to add marimbas, xylophones and glockenspiels to his mallet production. Stevens began manufacturing mallets in 1982, and in 1985 he also became a design consultant for Musser, the largest manufacturer of keyboard percussion instruments. The factory will include a sales showroom. The Asbury Park factory will start out with eight employees and will produce marimbas, xylophones and glockenspiels. About half were sold to individuals, and the rest to orchestras and schools of music. Stevens said, all on special order through dealers. Malletech produced and sold about 50 marimbas last year, Mr. First prize will be a Malletech marimba, which sells for about $10,000. Stevens offers a summer marimba seminar in Asbury Park and next August plans to sponsor the first International Marimba Competition and Festival, open to soloists up to age 35. Stevens was giving 30 to 50 concerts a year before becoming a manufacturer he now performs about a dozen times a year. Now, there are several marimba soloists on the international concert circuit. saying he wanted to be an intergalactic space pilot," he recalled. When he began there, he told school officials that he wanted a solo career as a marimbist. Stevens attended high school in South Orange and studied at the Eastman School of Music in Rochester. He plays the instrument with four or six mallets, and describes its sound as "captivating and warm."īorn in Orange, Mr. Stevens added, might be called a combination of a percussion instrument and an organ. A split second later, the woody tone of the bar is enhanced by the organlike after-ring of a resonator tube underneath."Ī marimba, Mr. "The first part of the sound is produced by the mallet striking a rosewood bar. The unusual sound of the marimba is produced through two separate vibrating systems "that reinforce and complement each other," Mr. Malletech marimbas are 8 feet long and weigh about 350 pounds. The marimba is a xylophone-like instrument whose tone is produced by striking wooden bars with mallets.
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